Skip to main navigation menu Skip to main content Skip to site footer

Linguistics

No. 3 (2024): Scientific journal of the Fergana State University. Application set (Social humanities sciences)

INTERPRETATION OF PERIOD AND HERO IN UZBEKI AND GERMAN DRAMA OF THE 20TH CENTURY

Submitted
September 10, 2024
Published
2024-09-12

Abstract

The article talks about the interpretation of the era and the hero in Uzbek and German dramas of the 20th century. Based on artistic analysis, poetic methods that shed light on the era and character of the hero were researched. The 20th century was a special transitional period in the German dramaturgy, which was influenced by the Uzbek dramaturgy of the 60s-90s and the currents of naturalism and critical realism. Any transitional period, issues of man and his role in society become an important problem that needs to be solved. The influence of the national literature of each nation is reflected in its contribution to the treasury of world literature, and in comparison with other literatures. In particular, to see similarities and unique aspects between the Uzbek dramaturgy of the 60s-90s of the 20th century and the German dramaturgy of the beginning of the 20th century, which focused on reflecting various modern themes in our country. possible There were serious changes in the cultural, political, and social life of both regions, as well as a sharp ideological struggle.

 

References

  1. Аҳмедова В. Мустақиллик даври ўзбек драматургиясида давр ва шахс фожиасининг янгича талқинлари. фил. фан. бўйича фалсафа доктори (PhD) дисс. автор. – Тошкент, 2021. – Б. 5.
  2. Абдусаматов Ҳ. Драма назарияси. Тошкент: Адабиёт ва санъат, 2000.
  3. Мамажонов С. Теранлик. Тошкент: Адабиёт ва санъат, 1987.
  4. Собиров Т. Давр ва драма. Тошкент: Адабиёт ва санъат, 1975.
  5. Имомов Б.. Жўрав Қ., Ҳакимова Ҳ. Ўзбек драматургияси тарихи. Тошкент: Ўқитувчи, 1995.
  6. Ғуломов Б. Сафдошлар ва издошлар. Тошкент: Адабиёт ва санъат, 1983.
  7. Жалилов Б. Ўзбек драматургияси поэтикаси масалалари.. Тошкент: Фан, 1984.
  8. Султон Иззат. Имон. Биринчи том, драматургия. ҒАФУР ҒУЛОМНОМИДАГИ АДАБИЁТ ВА САНЪАТ НАШРИЁТИ. ТОШКЕНТ. 1971. – Б. 173.
  9. Султон Иззат. Имон. Биринчи том, драматургия. ҒАФУР ҒУЛОМНОМИДАГИ АДАБИЁТ ВА САНЪАТ НАШРИЁТИ. ТОШКЕНТ. 1971. – Б. 197.
  10. Холбеков М. ХХ аср Ғарб модерн драмаси. Рисола. – Тошкент: “Mumtoz so‘z”, 2017. – 72-бет.
  11. Икромов Ҳ. Герхард Гауптман. Жаҳон адабиёти. 2013 йил, № 11. 198 . – Б.
  12. Хазиева М.Ф. ЭВОЛЮЦИЯ ТВОРЧЕСТВА ГЕРХАРТА ГАУПТМАНА НА ПРИМЕРЕ ДРАМ «ПЕРЕД ВОСХОДОМ СОЛНЦА» И «ПЕРЕД ЗАХОДОМ СОЛНЦА» https://cyberleninka.ru/article/n/evolyutsiya-tvorchestva-gerharta-gauptmana-na-primere-dram-pered-voshodom-solntsa-i-pered-zahodom-solntsa/viewer
  13. Hauptmann, Gerhart: Ausgewählte Werke in acht Bänden. Berlin: Aufbau-Verlag, 1962, S. 517-518.
  14. Tursunboyev S. Jahon teatri tarixi. Toshkent, Fan va texnologiya, - 2008, –B. 197.