THE HISTORICAL INTERPRETATION OF WOMEN’S IMAGERY IN THE LEGACY OF ZAHIRIDDIN MUHAMMAD BABUR
Keywords:
The identity of the creator, the portrayal of the author, the truth of existence, creative artistry, literary impact, societal realities, historical figures, objectivity, and aesthetic impact.Abstract
The article examines Babur’s perspective on the creative process and his approach to portraying reality, highlighting his commitment to objectively depicting the truths of life in both his memoirs and poetry. It emphasizes the significant role of women in social and domestic spheres, as well as their contributions to spiritual and educational fields, using examples of real historical figures. This focus is deliberate. Even in pre-Islamic Central Asia, women enjoyed relatively higher rights. Girls chose their husbands willingly, often setting conditions for prospective suitors to demonstrate bravery and the ability to defend the nation from adversity. These young women, representing the noble aspirations and ideals of the people, prioritized courage over appearance or wealth, testing their suitors’ valor and demanding genuine heroism in the name of love. Such portrayals of women who sought to shape their own destinies closely reflected real life.
The treasures of folklore laid the foundation for written literature, particularly influencing the depiction of women as historical figures in society and the expansive, nuanced portrayal of characters in the works of Zahiriddin Muhammad Babur. As a great king, commander, poet, and thinker, Babur drew upon these cultural elements when exploring the personalities and traits of his protagonists.
References
Bobur Zahiriddin Muhammad. Boburnoma. Toshkent, 1990.
Bobur Zahiriddin Muhammad. Devon. Toshkent, 1994.
Haqqul I. Ruboiy. Toshkent: Fan, 1976.
Humoyunnoma. Toshkent, 1959.
Mirsaydullayev M. Boburning buyuk merosi. Toshkent, 2017.
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