ON THE THEORETICAL FOUNDATIONS OF ARTISTIC RECEPTION
Keywords:
reception, Reynard Dole, D.A.Chugunov, decodization, influence, A.Camus, interpretation.Abstract
The article analyzes the structural paradigms, receptive aesthetics and reception of a work of art. It is emphasized that literary relations are important in ensuring the development of literature, while attention is paid to the activities of two main factors in the process of “Literary Relations” - the receiving and receiving parties. The issue of influence and interpretation in Uzbek literary criticism is illuminated using the example of the work of Albert Camus. Also, the concept of “national reception” was included as an innovation in the classification developed by the German researcher Reinard Dohl.
References
Stuart Hall: Encoding, decoding in the television discourse. – London, 1973.– Р.65
Jauss H .R. Pour une esthétique de la réception.–Paris: Gallimard. 1978.– Р.56
Гайденко П.П. Герменевтика и кризис буржуазной культурно-исторической традиции. – Вопр. Лит., 1977, № 5. – С.130-165.
Ингарден Р. Исследования по эстетике. –М.,1962. – С. 81.
Теории, школы, концепции. (Критические анализы). Художественная рецепция и герменевтика. Москвa: Наука, 1985. – С. 16
Döhl R. Das Neue Hörspiel. German Edition. 2009. – Р.124.
Жирмунский В. М.Гёте в русской литературе. ‒ Л.: Наука, 1981. ‒С. 558.
Алексеев М.П. Русско-английские литературные связи (XVIII – первая половина XIX века). –М.,1982. ‒ С. 345.
Адабиёт назарияси. Адабий-тарихий жараён. – Тошкент.1979. – Б.65.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Scientific journal of the Fergana State University
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.