QAHRAMON XARAKTERINI YARATISHDA BADIIY NUTQ IMKONIYATLARI VA MUALLIF MAHORATI
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Annotatsiya
Ushbu maqolada muallif badiiy asarda xarakter yaratish masalalariga alohida urg‘u beradi. Jumladan, qahramon so‘zlashish usuli, nutqi, xatti–xarakati, libosi , o‘zaro tavsif, o‘zini ta’riflash kabi ifoda usullarini chuqur tahlilga olinadi va Stefan Sveyg va Ulug‘bek Hamdam ijod asarlaridan misollar keltiriladi. Qahramon ichki dunyosi, uning hayot tarzini ochib beruvchi muhim ko‘rsatkichlardan biri bu obraz nutqidir. Qahramon nima deyayotgani va qanday so‘zlayotgani ham katta ahamiyatga ega. Nutq orqali qahramon millati, ijtimoiy kelib chiqishi, temperamenti, aqli, qobiliyatlari, ma’lumot darajasi haqida, uning o‘zigagina xos xususiyatlar haqida bilib olamiz.
Muallif o‘quvchi diqqat-e’tiborini nafaqat qahramon bajarayotgan ishlariga, so‘zlariga, o‘y-fikrlari, qalb kechinmalariga, balki ularning qay tarzda amalga oshirayotganligiga, ya’ni qahramon hulqi shakliga qaratadi. Hulq shakli deganda, qahramon ichki dunyosining tashqi belgilari: mimika, jest, so‘zlash usuli, ohangi, gavda holati, libosi, soch turmagi, hattoki atir-upa, kosmetikasi tushuniladi.
Keltirilgan xarakter ifodasi barcha shakllari-tashqi shakllarga mansubdir. Xarakter ichki ifoda turlariga inson ichki dunyosining tahlil etish tushuniladi. Bu jarayon xarakterni psixologik tahlili deb nomlanadi. Har bir yozuvchi o‘zining psixologik tahlil usuliga ega bo‘ladi.
Yozuvchilar qahramon ichki dunyosi, xarakteri, tashqi ko‘rinishiing ta’rifida turli xil usullardan foydalanadi. Ular qay bir usulni afzal ko‘rishliklari muallifning yozish uslubi, asar g‘oyasi, janri, zamon talab etayotgan mezonlar va ko‘plab boshqa omillarga bog‘liq.
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